Saturday, 15 March 2008

rewards like cash prizes for students

The fourth graders squirmed in their seats, waiting for their prizes. In a few minutes, they would learn how much money they had earned for their scores on recent reading and math exams. Some would receive nearly $50 for acing the standardized tests, a small fortune for many at this school, P.S. 188 on the Lower East Side of Manhattan.
At Junior High School 123 in the Bronx, Jerome Johnson, a seventh-grade math student, also received cash awards.
When the rewards were handed out, Jazmin Roman was eager to celebrate her $39.72. She whispered to her friend Abigail Ortega, “How much did you get?” Abigail mouthed a barely audible answer: $36.87. Edgar Berlanga pumped his fist in the air to celebrate his $34.50.
The children were unaware that their teacher, Ruth Lopez, also stood to gain financially from their achievement. If students show marked improvement on state tests during the school year, each teacher at Public School 188 could receive a bonus of as much as $3,000.

School districts nationwide have seized on the idea that a key to improving schools is to pay for
performance, whether through bonuses for teachers and principals, or rewards like cash prizes for students. New York City, with the largest public school system in the country, is in the forefront of this movement, with more than 200 schools experimenting with one incentive or another. In more than a dozen schools, students, teachers and principals are all eligible for extra money, based on students’ performance on standardized tests.

Can money make academic success cool for students disdainful of achievement? Will teachers pressure one another to do better to get a schoolwide bonus?

So far, the city has handed out more than $500,000 to 5,237 students in 58 schools as rewards for taking several of the 10 standardized tests on the schedule for this school year. The schools, which had to choose to participate in the program, are all over the city.

“I’m not saying I know this is going to fix everything,” said Roland G. Fryer, the Harvard economist who designed the student incentive program, “but I am saying it’s worth trying. What we need to try to do is start that spark.”

Nationally, school districts have experimented with a range of approaches. Some are giving students gift certificates, McDonald’s meals and class pizza parties. Baltimore is planning to pay struggling students who raise their state test scores.

Critics of these efforts say that children should be inspired to learn for knowledge’s sake, not to earn money, and question whether prizes will ultimately lift achievement.

Barbara Slatin, the principal of P.S. 188, on the other hand, said she was initially skeptical about paying students for doing well. Her students, many of whom live in the nearby housing projects along Avenue D, would surely welcome the money, she said, but she worried about sending the wrong message. “I didn’t want to connect the notion of money with academic success,” she said.
But after a sales pitch by Dr. Fryer, Ms. Slatin said she was persuaded to try. “We say we want to do whatever it takes, so if this is it, I am going to get on board,” she said.

In 1996, P.S. 188 was considered to be failing by the State Education Department, but it has improved dramatically over the last decade. In the fall, it received an A on the city’s report card. Still, fewer than 60 percent of the students passed the state math test last year, and fewer than 40 percent did so in reading.

How To Write A Book

How to write a book - the short honest truth

Every author I know gets asked the same question: How do you write a book?
It’s a simple question, but it causes unexpected problems. On the one hand, it’s nice to have people interested in something I do. If I told people I fixed toasters for a living, I doubt I’d get many inquires. People are curious about writing and that’s cool and flattering. Rock on.
But on the other hand, the hand involving people who ask because they have an inkling to do it themselves, is that writing books is a topic so old and so well trod by so many famous people that anyone who asks me, with the serious intent of discovering secret advice from my small brain and limited writing experience, is hard to take seriously.
Here’s the short honest truth: 20% of the people who ask me are hoping to hear this - Anyone can write a book. They want permission. Truth is you don’t need any. There is no license required. No test to take. Writing, as opposed to publishing, requires almost no financial or physical resources. A pen, a paper and effort are all that has been required for hundreds of years. If Voltaire and Marquis de Sade could write in prison, then you can do it in suburbia, at lunch at work, or after your kids go to sleep.
If you want to write, kill the magic: a book is just a bunch of writing. Anyone can write a book. It might suck or be incomprehensible, but so what: it’s still a book. Nothing is stopping you right now from collecting all of your elementary school book reports, or drunken napkin scribbles, binding them together at kinkos for $20, slapping a title on the cover, and qualifying as an author. Want to write a good book? Ok, but get in line since most pro authors are still trying to figure that out too.
Writing a good book, compared to a bad one, involves one thing. Work. No one wants to hear this, but if you take two books off any shelf, I’ll bet my pants the author of the better book worked harder than the author of the other one. Call it effort, study, practice, whatever. Sure there are tricks here and there, but really writing is a kind of work.
Getting published. 30% of the time the real thing people are asking is how do you find a publisher. As if there wasn’t a phone book or, say, an Internet-thingy where you can look this stuff up. Writers-market is literally begging to help writers find publishers. Many publishers, being positive on the whole idea of communication, put information on how to submit material on their website. And so do agents. The grand comedy of this is how few writers follow the instructions. That’s what pisses off all the editors: few writers do their homework.
The sticking point for most wanna-be published authors is, again, the work. They want to hear some secret that skips over the hard parts. Publishers are rightfully picky and they get pitched a zillion books a day. It takes effort to learn the ropes, send out smart queries, and do the research required to both craft the idea for a book, and then to propose it effectively. So while writing is a rejection prone occupation, even for the rock-stars, finding a publisher is not a mystery. In fact the whole game is self-selective: people who aren’t willing to do the leg-work of getting published are unlikely to be capable of the leg-work required to finish a decent manuscript.
But that said - it’s easier today to self-publish than ever. Really. But again, this requires work, so many prefer to keep asking writers how they got published instead of just doing it themselves.
Being famous and wealthy: Now this is the kicker. About 30% of the time the real thing people want to know is how to become a famous millionaire rock-star author dude. As if a) I qualified, b) I could explain how it happened, or c) I’d be willing to tell.
First, this assumes writing is a good way to get rich. Not sure how this one started but writing, like most creative pursuits, has always been a less than lucrative lifestyle. Even if a book sells well, the $$$$ to hour ratio will be well below your average corporate job, without the health benefits, sick days, nor the months where you can coast by without your boss noticing. These days people write books after they’re famous, not before. And if the only books you read are bestsellers, well, you have a myopic view of the publishing world. Over 100k books are published in the US annually, and few sell more than a few thousand copies, and what causes books to sell may have little to do with how good a book is. Either way, to justify the effort you’ll need reasons other than cash.
Discouraged yet? Good. Here is the upside: I love writing books. I love reading books. I love the entire notion that people can make things up in their mind and then make them real on a page, for the pleasure or utility of someone else. That’s just awesome. If you like writing, if you enjoy the bittersweetness of chasing words into sentences, then you might love writing books too, despite, or even because of, everything I said above. If so, get to work - now :)

If you were hoping for more practical advice:
Writing hacks: part 1 - starting - What to do when the page is blank.
Thinking like your editor: getting non-fiction published, Susan Rabiner.
The forest for the trees: an editors advice to writers, Betsy Lerner.
Writer’s market. Where and how to sell what you write.
National novel writing month - You must check this out.